Spring summer fashion 2010

Spring summer fashion show 2010 based on figures of explorers of new territories, a chic and casual silhouettes against a backdrop of floating overlays, wide high-waisted pants, tunics with Indian sandals gladiator of lightweight nylon, netting techniques combined with dark transparencies, shorts under jackets or trousers rolled on his ankle.

We waited John Galliano for his eponymous label and he has not disappointed in any of the shows he has the secret. Mixing Orientalists, he crossed the Mediterranean from east to west side of General Bonaparte’s campaign in Egypt in the aesthetics of Abel Gance, including crossing the Lawrence of Arabia played by Peter O’Toole and youths photographed by Wilhelm von Gloeden. Cargo pants, large pieces of leather parkas and shirts supporting a charming bad boy. A night frock coat covered with black chiffon gives the look imperial. So why put his shirt when you can also establish greenhouse-size form and a stole with sleeves, even over the jacket? Followers of Galliano style fond probably the opulent extravagance.

Another house and trip for inspiration drew from the range Savorgnan Pietro Paolo di Brazza explorer the right bank in Congo. Antonio Marras Kenzo declines for this locker room colonial environment, in shades of gray or sand that are heavily loaded with three-button jacket, usually worn on the jacket open. Special mention to printed denim made as carbon, and a gray jacket in python, a creeping urbanity.

A smooth spread like wildfire among Mamluk Yves Saint Laurent. Stefano Pilati it adds volume to the pants and some shirts extension below the knee, the reasons for printed last season faint in the mesh. An illusion of body shape is projected in such visions as the jacket, long in front and shortened at the rear; the body appears to result in a prosecution imposed by a sirocco of modernity.

Under his signature Kris Van Assche creates bridges between masculine ways Eastern and Western deconstructing the silhouette thanks to Kurt De Goa or fine djellabas Port El Kantaoui. The pants were the scale of Sarouel already found in its paw last summer.

In Dior Homme, designer incorporates in the same time, does it superimposes several tissues in a room. A trompe l’oeil vest your natural seeps a better rider in the black jacket. A lightweight tailoring is cutting sleeve head shoulder of a jacket for ventilation welcome in a heat wave. So man Dior will dare, for the evening, jacket without sleeves altogether, as an elegant tuxedo leaving delicately revealed two transparent panels on the front, doing probably the aesthetics of kimonos. Dior confirms the triumph of ultrafine materials, ultralight, ultratransparentes.

In Korean Juun, the effect is startling: black organza wrap and lengthen the jackets. Elsewhere, transparency and delicately is modestly brilliant white skin torso. Here, the cape is parka summer fades to black on gray tile, with the fragile wings of dragonfly in the hood.

Damir Doma uses a transparent material and crumpled into the arms of veiling inordinately long sleeves. It creates a new comfort in opaque materials that mark the top of rigor to help expand the bottom, by redefining pinned floating geometry coats and jackets without collars that close with a simple link or lateral hook.

Parts of bare skin appear in the backs of the models studied by Francisco Van Benthum. They reveal an element of vulnerability in a silhouette at the back, dressed only appears a blank garment.

Boys Latino expensive to Riccardo Tisci among Givenchy are trek in Morocco, with shorts worn over leggings, sometimes in total look with white cotton scarf or belt draped low on the Sarouel, sometimes printed in black and white graphic patterns borrowed from comets. A relaxed here tinged accents sportswear will possess excess of its kind, such as a T-shirt fully gilt edged out in relief around the neck.

Hermes is much wiser. We know Nichanian preferred design of the garment rather than a true redundant mode. She explores this season tones that combines clay with greenish-gray or blue cerulean without contempt for both the green apple. Beautifully cut clothes, pants slightly floor lamps in the house materials, induce a chic nonchalance, symbolized by a beautiful leather belt carried low on the hips. Does it need more? With sufficient aspect mode in the proportions, the desire is at its peak and everyone covets easily this luxury discreet, efficient and reassuring.

The bright white of the first looks Hugo, the creator of the online brand Hugo Boss. Inevitably recalls the lopsidedness of David Bowie as the pencil of Bruno Pieters. A form of expressionism and avant-garde art there before that horizontal stripes do not come to disturb the light costumes. Many of blue here and a shot of red too. The semi-transparent shirts are lightly worn without a jacket. The skin is exposed as a cleavage in the jacket in navy jersey-inspired pea coat. At night, the sleeves can embroider large copper sequins.

Colors are even more energizing to the honor in Thierry Mugler with acid; a beige linen jacket rubs himself tasks fluorescent yellow, lemon ribbon bordering a suit in the same natural material, blue sky falls on the white gingham dress. Elsewhere, Parma’s shirt marries a jacket shocking. It keeps the white vests, which reflect light from within. More pronounced in middles Mugler for summer 2010, which seems a bit to ogle Paul Smith.

Not only athletes who can dream of flashy colors, Walter Van Beirendonck also allows the “bear” these men plump, who are fond of hairs on the torso as the beard, claiming coats zipped electric green and all the pastels in lightweight jackets, as in a palette of fluorescent markers met on the sneaker. Ideal for trekking in the Pyrenees.

Junya Watanabe, Meanwhile, reintroduced the colorful madras. There size of bright costumes, lovely for summer in the city.

All probably meet a new need of the consumer: no longer eligible for social status by responding to guns or standards of beauty, but define and find them selves.