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Not enough to write books of poetry in performance to be a poet. It is necessary to understand life in another way, the antennas have sharp, alert spirit, helping people to wake up.
These words of Joan Brossa well be applied to the work of Bartolomé Ferrando, a performer and visual poet, that since the 80s is engaged in intense artistic activity and teaching, overflowing for any critical analysis that seeks to deepen its work .
Author of essays such as “Towards a poetry of doing”, or books “The mobile eye” and “intermediate art” in addition to several recordings and several videos of performance, Bartolomé Ferrando was and is an instigator to a whole poetic , inventor of fascinating heterodoxies in which the text achieves its meaning escape thanks to the action, in which the picture takes its syntax and meaning through language.

Maybe this winter he was referring to the author has arrived, and aged, the words need more than ever hot out of the mouth to contradict and published without printing. There are books that no one has ever taken place in housing, the space occupied for years and was assigned without this fact on record. Tweaking in the books of Ferrando, beyond his native Valencia and in a public library, has some magic occurring not only in this event because someone put a stamp on a paper prepared for this and that has waited a long time in a ritual of silent waiting, also because any book that needed opening for the first time (and literally) is that it hides secrets of reading unreadable.
This was the feeling I had to get my hands PERFORMANCES POETIC released in Alicante in 1988, within which, in addition to the postcards, the only existing text is the manifesto “The performance as a language.” In it, Ferrando outlines what would later become a constant in your work, the internalization, the return to the interior space can not be represented (for the reader-viewer baste). “The performance is a nod. The eye does not laugh, smile, “he says.

Performance by Bartolome Ferrando in Poetry Festival International of Milano, 1984.

Since then it is possible that the theory of poetics and performance exhibited by B. Ferrando in various journals, treaties, conferences and web sites have had some flirtations to other trends (within the heterodoxy that is inherent), but I’d say it’s one of the authors more faithful to their original artistic practice, and more consistent Overall, in the manner seen circumvented these firm principles of authenticity and poetic militancy, so difficult to observe today among young writers that as soon fall into the facility without representation and narrative boundaries.

Poems-wedge were able to break the geography orderly society in which we live, recomposed into pieces for display, language in all its splendor in the creative puzzle. Words that, between two intervals, we jump into his eyes just when we were unprepared, with a view to whisper something of themselves.

Ferrando has exhibited her visual and concrete poetry in performance of various cities in Spain, Italy and France. His performances have traveled halfway across the world. Part of Flatus groups Trio vocis, Worldly Music Workshop and Red, dedicated to developing creative practices that are somewhere between music, poetry in performance art. He is the founder of the magazine poetic text. It is also a professor of performance art and an intermediate in the Faculty of Fine Arts in Valencia. Perhaps it is this last activity the most laudable (in practical sense) because there are many who enter through it headfirst into the world of poetry in performance and visual performance after attending the classes in your subject.

Mighty Mouse is a cartoon character created by the Terrytoons studio, as a parody of Superman. It first appeared in 1940 in a theatrical animated short entitled The Mouse of Tomorrow (Mouse of Tomorrow). The original name of this character was Super Mouse (literally, Mighty Mouse), but when Paul Terry saw that there was a comic book character the same name, changed it Mighty Mouse (Mighty Mouse).

Mighty Mouse originally had a blue costume with a red cape, like Superman, but eventually changed it for a yellow costume, keeping the layer. The origin of his powers was particularly rich food that had gone into a supermarket. As with other imitations of Superman, Mighty Mouse’s powers allow him to fly and did so incredibly strong and invulnerable. At least once shown to have “X-ray vision” and in many stories used a form of “super-hypnosis” which allowed him to dominate even inanimate objects and turn back time.

The Bride of Mighty Mouse was a mouse named Pearl Pureheart, and his nemesis was the cat Oil Can Harry. These characters were created for a series of animations of Mighty Mouse that parodied the old serials of the era of silent films in which each episode was an end of suspense: the stories used to begin with Mighty Mouse and Pearl Pureheart already in a desperate situation, as if it were the continuation of one of these serial episodes. Often the characters sang parodies of opera arias.

Mouse cartoon character was not extraordinarily popular, but became a cultural icon after Paul Terry sold Terrytoon files to television. His drawings became a staple of children’s programming on U.S. television from the fifties to the eighties. Were also sold to broadcasters in other countries such as Spanish TV.

In the eighties, the animator Ralph Bakshi created a new series of drawings of Mighty Mouse, entitled The New Adventures of Mighty Mouse (The New Adventures of Mighty Mouse). This series was directed more to adults than children, and his highly satirical tone makes it a collector’s item: collectors of old television series episodes look Bakshi Mighty Mouse. Anyway, the series was canceled after two seasons because of two reasons:

* The low ratings.
* In one chapter, Mighty Mouse, seeks a red flower that gives superpowers. The chain director, understood that this was an allusion to cocaine.

According to a list (rather aged) of the Creation Research Society, run by our friend Dawlin usual, that death must be anti-Christian Democrats now that governs his cradle faith is straight U.S..

1. VENGER (Dungeons & Dragons): the image of the Antichrist in person, Lord of Black Magic, won for his picture in an act of Christian faith, the series was scheduled in 1985 as a children’s television show THE MOST VIOLENT OF HISTORY by National Coalition on Television Violence.

2. LOVE’S DUNGEON (Dungeons & Dragons): Druid, master of the lie and revealed the father of Venger. So if the latter is the Antichrist, the Master was … SATAN. Plain and simple, 1 +1 = 2. It is also clear that children were not actors in a parallel dimension, but in hell, which agreed after dying on the carousel principle.

3. Tiamat (Dungeons & Dragons): The third member of the satanic trinity of this horror PROGRAM. A ground force of evil, the great snake mother of demons. His name is not coincidental because Tiamat is the identity of a Babylonian demon dragon, the mother of Baal, the great enemy of the one God Yahweh in Old Testament times.

4. MUM-RA (Thundercats): Devil and God of old beliefs, lives in a pyramid, surrounded by pagan images, the processing is done after careful prayer which calls the “ancient spirits of evil,” this same prayer in the prayer of Satanic Church of Anton LaVey Sandor

5. SKELETOR (He-Man): Sorcerer with skull face governs filthy creatures from a snake-shaped mountain. Son of a father revelde even stronger, as I too would be the Antichrist.

6. ZOAR / SORCERER (He-Man): According to the diabolical trinity reverse the Holy Spirit is the False Prophet. And Mrs. Grayskull, a witch supposedly benign protector of a fortress of evil traits is the False Prophet straight in this series.

7. Hordak (He-Man): teacher and guide of Skeletor, Castle Greyskull original guardian. If Skeletor is the Antichrist, this is obviously the devil. (Note: And what about Prime Hor? Ja, these gentlemen have not seen the entire series, because that if it was the devil)

8. Papa Smurf (The Smurfs): Druid, dressed in red and manipulates his servants, besides his face, similar to that of Karl Marx (detailed more red) give the character an obvious link with anticristanas doctrines like Marxism and Communism .

9. Gargamel (The Smurfs): A man of faith fallen, become sorcerer imprisoned in a tower next to a cat named angel of death. Witchcraft again corrupting children’s minds.

10. COBRA COMMANDER (GIJoe): The leader of a terrorist organization that is not exactly an extremist political institution (Would it be preferable that?), But is surrounded by pagan rituals, takes refuge in abandoned temples and his servants wear masks and makeup inspiration in snakes. Besides their leader has customs and apparently viper is a humanoid serpent, biblical incarnation of Satan.

This is just beginning, I found a long essay about Satanism from Dragonball Z and Disney.

Al Martino, aka Johnny Fontane in The Godfather, including playing the role of a crooner protected by the mafia It just disappeared.

Al Martino’s seducer died a natural death … He was 82 years and his role as film scoring could have let us imagine perishing riddled with bullets spewed out by a gust of Tommy Gun before being thrown into a hole in the Nevada desert. Born Alfred Cini, Al Martino, the son of Italian immigrants, but has simply died in his childhood home in Springfield (Pennsylvania).

For if he was a crooner famous for years 50-60 (Volare, Here In My Heart, Spanish Eyes, Can not Help Falling In Love), Al Martino entered the seed through a “small role” in film, for Francis Ford Coppola, along with Marlon Brando (our picture above) for a great movie released in 1972, which was also interpreted as the “Love Theme” The Godfather. In French, The Godfather.

All fans of The Godfather recall Al Martino. Arriving early in the first installment in the saga, it appears in the guise of Johnny Fontane, a crooner who honors plastered down with his presence the marriage of the daughter Corleone, whimpering in the office of Don for a role as a producer of cinema did not accede.

The producer will be punished recalcitrant by the henchmen of the Mafia clan on awaking in the morning, the severed head of his favorite horse slipped at night in his “own” silk sheets. A bloody episode in the form of thinly veiled allusion to the dangerous liaisons of another crooner, Frank Sinatra with the Mafia. Frank Sinatra, who also died a natural death here eleven years. If there is a good way to die.

The French police conducting a preliminary investigation since last July in Paris to check doping allegations hanging over several teams who participated in the Tour de France 2009, a prosecutor said Tuesday in Paris. The Astana team, one of Lance Armstrong and the race winner Alberto Contador is likely to be concerned but not specifically covered by the procedure, said a spokeswoman. Several French media had said that the investigation concerned Astana.

The investigation was launched following the discovery in bins by the company managing the waste in the event of suspected residues was apparently from teams such as syringes and infusion equipment. These wastes have been delivered to police in circumstances still unclear. Investigations have been entrusted by the prosecution to an investigative specialist, the OCLAESP (Central Office for the fight against environmental damage and public health).

Preferential treatment for Astana?

Expertise have been ordered on the seized products to determine if they contain traces of illegal products, and prosecutors also asked for DNA research. “We’re at the stage of analysis and expertise to determine if it found banned substances and DNA for any charge to riders,” said the spokesman for prosecutors in Paris. If the suspected violation is confirmed, a criminal may be open, with possibilities of enhanced legal investigations.

French law prohibits the trafficking of drugs but not their use. A report by the French Agency for the fight against doping unveiled last week had suggested that the Astana team had received preferential treatment in terms of controls from the International Cycling Union Tour 2009. French justice has greatly contributed to reveal the widespread doping in cycling, including an investigation team and the Festina rider Richard Virenque in the Tour 1998, which led to a sensational trial and conviction in 2000.

California Gov. Arnold Schwarzenegger, will probably not give assent to the bill to celebrate the day of Harvey Milk, a pioneer in the struggle for gay civil rights in the state of California.

The proposal has already managed to jump from the state capitol to the Senate, now expected to be signed this weekend. According to the San Francisco Chronicle, there are about 700 proposals in Governor Schwarzenegger’s desk to be signed before midnight on Sunday, including some related to education, insurance and use of weapons.

But the governor has threatened to veto any legislation if lawmakers fail to reach an agreement on the state water system for this weekend.

Milk activist was murdered in 1978. He had been elected by the bureau of Supervisors of San Francisco in 1977. During his eleven months in that position, supported the proposals on gay rights and defended a particular allowing visibility of openly gay teachers and teachers.

About 40,000 Californians signed a petition on Memorial Day in honor of Milk and despite not being an official date yet, many schools, on the date of his death, recall the actions of a social activist.

Before making the film “My name is Harvey Milk, Schwarzenegger vetoed a bill identical to the one now proposed, arguing that the activist was not sufficiently well known.

Avatar The Last Airbender has been on film! Wet dreams better than others I have mentioned before. It comes from the hand (script and direction) of no less than himself M. Night “Sixth Sense” Shyamalan.

Paramount Pictures and Nickelodeon are scheduled to release the film on 2 July 2010. But that is should remove the word Avatar in the title, because James Cameron is making a 3D epic of the same name.

Airbender is an animated series gringa, but all too influenced by Hayao Miyazaki, which tells the story of a young hero who can manipulate the elements through martial arts training and has an enemy to the “Fire Nation,” who want to control the world.

Shyamalan, the director charge of the project, he admits Miyazaki fan and said that it is one of the biggest and best storytellers in the world.

The thirty-first edition of the Olympic Games does not have headquarters. But two of October will be the verdict of what the Olympic host city in 2016. All these cities are considered first world. The election will be based at headquarters cleaner, environmentally friendly, safe and with better infrastructure.

Chicago

Best known as the windy city in America, Chicago, is presented as an ecological city with first class ambassadors. With the backing of President Barack Obama, the basketball player, Michael Jordan. And being the third largest city in the American union, has emerged as a strong candidate to receive the “yes” Olympic organizing. With the slogan “blue and green games” with emphasis on environmental quality and water.

This is an important point for the International Olympic Committee, as cities seek Pro-Environment. Chicago has an advantage over the others. Facilities in question to be financed by the private sector. The city has ambassadors of great weight, like Oprah Winfrey, Michael Jordan and Michael Phelps Olympic multimedia.

in addition

Tokyo has taken the lead, while Madrid is criticized by anti-doping legislation and administrative bodies. A month before the election headquarters for 2016 Olympics, the report of the IOC Evaluation Commission yesterday gave some clues about what may be the city finally is made to the bid. The document, less diplomatic than on previous occasions, said all applications defects, although it could be extracted Tokyo 2016 is the best placed city. As for the candidature of Madrid 2016 is concerned.

Anyone who imagines Andean men, Indians from the colonial era, as being totally passive, indifferent and inactive against the duty imposed by the Spanish, who believes that with the conquest schematically disappeared immediately and completely legal and Inca the various orders unwritten policy that preceded the latter, initiating the development of a linear or unidirectional single right, based solely on the influence of Castilian law or permissions, who assumed from the Spanish domination and during the viceroyalty, the Incas Andean men and ceased to be absolutely the right players is fully wrong.

Well, the Spanish invasion and conquest, not annulled the historicity of the Andean people, not canceled their ability to be subject, if social actor, and failed to cancel their culture, socio-economic structures and ideological, or their customs. Inca The same legal system, although it is outdated, it is also undeniable that his fingerprints did not disappear completely immediately, as the sociological repeal of the rules governing a community organized as well Carbonnier says: it is not something that happens of the overnight, but takes its time (1)

And so, many elements of normative order Inca or more local forms of law, deeply rooted, in line with customary rights, stubbornly persisted in the fabric of Indian daily life, inter-acting with the Spanish colonial and Indian law, favored the survival of some Andean worldview, certain mythological traditions and the continuity of pre-Columbian socio-political institutions that kept the colonial regime according to their interests, such as the chiefdoms and chiefdoms, or forms of work organization and production as the mita, ayni, minka, and with all this: the survival of Andean reciprocity.

As for the Andean people, the indigenous, as author and creator of history and law, is something verifiable at least its elite, class or political thinking, which also had, overlying the collapse, I mean cosmic trauma to Indian conquest [2]; continued acting and thinking in a way adapted to new circumstances, so much so that from the last third of the sixteenth century, the survivors of that elite, explain and prosecute the Spanish invasion and subsequent defeat of his people, writing compelling legal and policy arguments, claims and defend their society. Not otherwise constitute major works of the Peruvian Andean thought, including: the Royal Commentaries of the Inca Garcilaso de la Vega and THE NEW RING AND GOOD GOVERNANCE Guaman Poma de Ayala. Both works, to name just two of the best known “chronic” of colonial Andean authors are first of all: vibrant political treaties and legal claim of Andean societies and peoples.
In this attempt, which responded well to socio-economic interests and motivations very clear, the noble Indians and mestizos, while casting his own vision of what was their society, their culture and what it meant to them the conquest gave way to a set fundamental legal ideas, controversial and crucial for their time, ideas that the right to dignified Spanish and Indian, who took and developed ideas from the conceptual contributions of distinguished Spanish jurists and humanists, such as Francisco de Vitoria and Bartolome de las Casas suited to their own vision of things, and culminating in the radical was likely to materialize eighteenth-century colonial Peru, with the outbreak of the great revolts, rebellions and uprisings indigenous INCAE cutting.

I must add that on the other hand, the sixteenth to the eighteenth century, we see that many indigenous ethnic chiefs and leaders, learned how to use legal and administrative mechanisms afforded by the colonial system, to seek improvements in their status and their dignity or to challenge institutions such as the mita or deals. This embodies the Andean man interacting with society and colonial law had been imposed.

Tyra Banks show a more natural hair at the premiere of her TV show this season.

At the premiere on Tuesday of the fifth season of “The Tyra Show” (”The Tyra program”) on the CW network, the former supermodel will be presented before the cameras with her natural hair. Or, as Banks says, “without wigs or hair extensions or anything.”

“Will appear as I leave the shower with wet hair. My hairdresser tweak my hair during the show on stage,” said Banks, who interviewed women insecure about their own stress.

Intends to provide support on the lure of natural hair and “ask them to be strong to show it in front of all national television,” said Banks. Part of its mission to help redefine the emotional issue of beauty for women, he added.

The title of his program, which now bears his first name only, last week won the Emmy for daytime programs in the category of information. Goes from being an independent production to be part of the CW network programming, and will be broadcast on weekdays during the afternoon.

Banks said he has learned from its past programs, especially in regard to trust the foundation that developed in the fashion industry.

The models used to ask for help with her makeup in the fashion shows in Paris, said. And as far as fashion is concerned, “will teach you how to make that sweater in a skirt and a dress …. I know how to do that,” he said.

Banks, whose business empire is impressive, his magazine will launch on Tuesday cyber Tyra: Beauty Inside Out (”Tyra: inner and outer beauty”), also known as an online magazine about beauty tips and other matters.